Gallery
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the subject of fields and fences is beginning to occur more frequently in my work. a result of farm life and residence in rural America
monoprint
5x7

(gourd, flax, encaustic, found objects. 24x 24x9") - This piece was a challenge to name. Evolution of the soul via birth - the natural outcome of the rest of the activities that the series is comprised of. Resurrection is often associated with the cross. I basically liked the way those two pieces of wood looked and created a natural cross and the gourd hung there "just so". The rest of my contemplation about just what it was saying and what to call it came after that visual fact. I created this series over the span of about a year. There was no exact intent in mind. All the pieces were created independently of one another with no concept of "I am creating a series". It was after about 6 pieces were complete, all unnamed at that point, that I realized the connection. It was then that names appeared. Read More

NYC, NY, December, 2010. Christmas in NYC. The windows!! They were magical and made more so by my Holga!

(gourd, paper mache', found objects, acrylic) I got into the mask-making thing and this has always been a favorite. SOLD

(gourds, iron, chip carving, pyrography, dye, forged iron, encaustic. 14x12x7) Flirtation is often when the cycle begins! Sculptor Gregg Leavitt, Berks Co, PA had a hand in the creation of this piece. NFS

Tempra & Acrylic on paper.
Rhinebeck, NY 1999.
4.5' x 8.5' - Yes, I was crazy. I was not sure who I was most of the time but I knew I was changing. The most interesting thing in this piece is that I did not know when I painted it that I was growing cancer cells in my breasts. Eventually I had a bilateral mastectomy.
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